Showing posts with label opinion. Show all posts
Showing posts with label opinion. Show all posts

Monday, November 10, 2008

Guns N' Roses: Chinese Democracy, Nov. 23

Have you heard?! Or have you been under a freaking rock?! Guns n' Roses! They're back! Chinese Democracy! Fire up the old Chevy Camaro and slick back that mullet. We're gonna rock out like it's...1991. Hmm.

Ok, they're a little outdated, but Axl and the boys are back to do what they do best! Rock out hard! Can you imagine the ensuing world tour coming to a major arena near you? Think of Axl coming out with his trademark bandana and...dreadlocks. But then comes out Slash and McKagen! Or you know... Dizzy Reed and Robin Finck. Close enough right?

The album's been a work in progress over the past 17 years. Fans should be getting quality right? The thing's been tweaked and speculated over for the better part of two decades. I wonder if there are any collaborators? What's that? Shaquille O'Neil reportedly rapped on a track? Former Skid Row frontman and permanent VH1 resident Sebastian Bach sang on a track? Wow. Uh, way to throw back guys.

So yeah. The fact of the matter is Chinese Democracy could either be the worse thing mankind has ever recorded on purpose, or relatively listenable. It won't be Guns n' Roses. It won't live up to the hype. It can't. The only thing we can hope for is for it to rise briefly above mediocrity to satisfy fans, and then plummet (and hopefully take Axl along for the ride). It's nice that Rose managed to deliver the album almost within the same century as his last, but after 17 years of waiting, how much does anyone care anymore?

Who knows? Maybe I'm just a cynic and the album will be fantastic. All I'm saying is that if you are one of those mulleted, chain smoking, wanna-be bikers who's waiting for the great second coming, well you might want to get back under that rock I mentioned.

Tuesday, November 4, 2008

Kids, They Always Come Back and They're Always Doing Something Different

If you've ever heard of MGMT, then you most likely know the song "Kids." What you probably don't know is that there is more than one version of the song; in fact, there is a version of "Kids" on each of the bands four releases. However the only difference in the versions on Oracular Spectacular and the We (don't) Care EP is production quality.

The four versions are (I'll refer to them as 1, 2, 3, and 4):
1. Kids (Oracular Spectacular)
2. Kids (We (don't) Care EP)
3. Kids (Time to Pretend EP)
4. Kids (Afterschool Dance Megamix) (Climbing to new Lows)

There are many interesting points we can bring up about this song. The first is the title: "Kids." I find this song to be a lot like kids actually. You never really know what kids are gonna do next, but they're always popping up in different ways. Not to imply that the songs are nearly spastic as children tend to be at times, but the four versions certainly do make an interesting set. Versions one and two are almost exactly the same aside from the production. Version three is also quite similar to the first two, save one section of the song, and version four is almost completely different. The first two would be like the kids wearing very similar outfits, the third would be the kid wearing something close, but the logo on the shirt is quite noticeably different. The fourth would be the one that decided to dress up as a fire-fighter for no reason.

All-in-all each version of this song has something different to offer, but why three different versions? Can we expect to see "Kids" on the next release? I can't really answer those questions with a concrete answer. However I can say that a track record of four out of four would lead me to think it's certainly possible. As far as why, there could be a multitude of reasons. Maybe they just like the song. Who knows.

So what do think? Let us know what you think of these different versions and if you think there'll be more to come.

Thursday, October 30, 2008

The Future of Festivals

Spin Magazine covered festivals this summer (along with everyone else), but I thought they brought up an interesting point. They interviewed Perry Farrel (lead singer of Jane's Addiction, founder of Lollapalooza, and foot-in-mouth extraordinaire) who said that the festival business is doomed. He said that today there are no huge bands, and that in 10-15 years there will be no such thing as a headliner band. This would lead to diminished ticket sales, lower funds for festival organizers, and in turn crappier festivals. Now what makes this argument so unsettling is not only that it hits home with music lovers who plan their summers around such extravaganzas as Lollapalooza, Bonnaroo, and Coachella, but that it's particularly valid.

Festivals in the 90's (Lollapalooza, Woodstock 94, etc.) relied heavily on popular acts of the time to draw their crowds. A big part of that was MTV exposure and alternative rock radio play. Today's modern rock festival takes an alternate route. Festivals like Bonnaroo highlight upcoming indie bands (i.e. Vampire Weekend, Animal Collective, MGMT, Of Montreal), popular dance music artists (M.I.A., Justice, MSTRKRFT), international acts (Gogol Bordello, Ozomatli, Orchestra Baobab), Soul Performers (Solomon Burke, Sharon Jones and the Dap Kings), and the list goes on and on. What the point is is that today's festival is a whole new animal. Going to a festival like Lollapalooza is no longer like listening to the live version of an alternative rock radio station. It's a complete musical experience where one can immerse themselves into every arcane corner of the musical spectrum or tailor their daily schedule to their existing musical preferences.

However, the headliner has always been the major draw for festivals. There the bands who gather all the tribes so to speak. There also the true money makers for festivals. A festival can often be made or broken depending on who they get to headline. Over the last 5 years, there have been 51 headliners at the three major festivals in the US (Bonnaroo, Coachella, Lollapalooza). Of those 51, 42 came to popularity before this decade. Obviously this is disheartening for the future, but will festivals cease to exist? This savvy music critic thinks not.

Festivals today depend on bands who were popular during an era of less musical exposure. The only bands people listened to were major label talents that they heard on the radio and saw on TV. Today that's not the case. More and more people base their taste off of music that they hear first online. MTV is no longer credible with presenting the best music of the time, and radio stations are frantically updating and diversifying their playlists to keep up with this new trend. There are no popular bands. Well, sort of.

In the last two years or so, festivals have started to highlight more and more bands that have bcome popular in ths decade. Performers include The White Stripes, The Raconteurs, Jack Johnson, and The Killers.

Of course this should last us the next few years (along with still active artists like Beck, Radiohead, and The Red Hot Chili Peppers), but what of the next generation? It's really impossible to tell. Radio stations could change their programming to suit the new tastes (some already have), MTV could start covering real music (it was really hard to write that), or smaller bands now could get huge after a few more successful albums. All there really is is speculation.

My speculation you ask? Personally I think we're going to see a change in what people consider the "headliner". The headliner will play a less important role (it arguably already has) and festivals will have to depend on the strength of their entire and diverse lineup (many already have). It's really hard to say, it's arguable that a society has to have some sort of popular music. Maybe bands like Vampire Weekend or MGMT will be catapaulted into the mainstream? Either way, we're in the middle of the transition right now. It should be entertaining.

What do you think will happen to festivals?

Wednesday, October 22, 2008

New Animal Collective Album Will Rock, Cover Will Not





















Animal Collective's upcoming album, entitled Merriweather Post Pavilion (fuck yeah, Maryland!) has already caused some hype. The record will be released January 20th (the same day the next president will be inaugurated; what a day that will be) and hearing from a few people who have listened to it already, I reckon the album will be extraordinary. AC member Noah Lennox (aka Panda Bear) has even stated in a recent interview that MPP is their 'best recorded album'. The album will differ in sound from their last kaleidoscopic-electronic frenzy of 2007's Strawberry Jam. Judging from bootlegs that have been going around for the past year and a half, the guys have got into the ambient dub/ electronica vibe, which is not a bad move on their part.

But on the contrary, a recent post on their homepage revealed the possible album cover for Merriweather Post Pavilion. If you are wondering, no, the image you see above is not the avatar of a LSD enthusiast blogger on some Phish fan forum, it is indeed the image that the fellows in AC posted on their site, possibly (but not hopefully) being the album cover. But a wise man once said to not judge an album by it's cover... unless its terribly phony like this one.

(click on the cover to enlarge the image, and gaze upon the waaaavvvyyy illusions.... still pretty silly)